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As part of their 10-year wedding anniversary celebration, Kate Middleton and Prince Harry brought their three kids to Manor Farm in Darlington, a town in Northern England. While enjoying the countryside, the Duchess of Cambridge wore a wax-coated, dark green jacket from Seeland with an ivory Brora x Troy London Fair Isle sweater, a lace Sézane blouse, and Penelope Chilvers brown leather boots that have been a staple in her wardrobe since 2004. Stylishly tucked into said boots were one of 2021’s most debated fashion trends: a pair of dark wash skinny jeans. 

The Duchess has been known to wear skinny jeans for years now, so this look isn’t that surprising, but this is one of the first times we’ve seen her wearing skinny jeans since the TikTok crowd deemed the silhouette “uncool” back in February. Since the call was made, many have, albeit unwillingly in some cases, swapped out their skinny jeans for straight-leg and baggy alternatives.

Middleton, though, appears unfazed, prioritizing personal preference over trends. After seeing this look, I can’t help but wonder: Were we too quick to give in and, in turn, give up the denim style? Tucked into her go-to boots and paired with a patterned knit, the royal didn’t look to be wearing “mom jeans” at all.

If you’re also now rethinking giving up skinny jeans, shop similar styles, below. 

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After spending some quality time out of the public eye, Sophie Turner is back to debuting stellar outfit after outfit while on a slew of dates with husband Joe Jonas. Monday night’s look was no different. In the lead-up to what we’re assuming was another night out for the new parents, Turner posted a mirror selfie on her Instagram stories that showed off an outfit that included the most debated trend of the 2000s: the low-rise jean. 

For the occasion, Turner paired the baggy jeans with another ‘00s signature in the form of a navy blue going-out top that featured a sexy low-cut cowl neck. As if to add to the Y2K look, the Game of Thrones star also wore a long, gold necklace that dipped into her cleavage, purple eyeshadow, glitter nails, and a candy ring. In other words, her look was pulled straight from the pages of a 2003 copy of Elle Girl — in the best way possible. But while colorful rings and going-out tops feel just as at home in 2021 as they did in the aughts, low-rise jeans — a ‘00s trend that many who lived through the style’s heyday have sworn off — are harder for some people to get on board with. 

Unfortunately for them, the denim style is making a comeback. According to fashion shopping platform Lyst, searches for low-rise jeans are up 57% compared to last year, with “low rise baggy jeans,” specifically, seeing an increase of 110%. That, and #LowRiseJeans has 36.1 million views on TikTok. 

Whether we like it or not, the denim industry is cyclical, and trends — even the most hated of them — always find a way to creep back into our wardrobes. On the bright side, at least we have Turner to provide us with ample ideas for what to wear with the style. That, and plenty of other outfit inspiration, ranging from date night pajamas to vacation-ready sets.

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After spending the majority of Oscars night wearing a show-stopping Vera Wang Haute dress made entirely of metal and strappy gold heels, Andra Day ditched her uncomfortable footwear and slipped into something a little more comfortable for the after-party. In a delightful move, The United States vs. Billie Holiday star and Best Actress nominee appeared in a pair of UGG Fluffita Sandals at Spring Place in Beverly Hills following the awards show.

The singer-actress changed into a new Vera Wang dress — a silver, draped number with a sky-high slit and open back — which she paired with $100 fuzzy, platform slides from the SoCal boot brand. Those, and a bevy of diamonds, because balance. (She traded in her Tiffany & Co. white-and-yellow diamond earrings for a pair of pavé diamond hoops, but kept her rings from the red carpet which, according to Tiffany & Co., were collectively worth just over $360,000.) 

After spending the majority of 2020 and 2021 inside, where house slippers remain our shoe style of choice, her decision to prioritize comfort feels very relatable.

Shop the pair — to wear with a gown or sweatsuit — below.

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Though a lot happened on the 2021 Oscars red carpet on Sunday night, the only thing we woke up thinking about this morning was Zendaya’s yellow, midriff-baring Valentino gown. The look — which glowed in the dark and was paired with matching Jimmy Choos and 183 carats (worth over $6 million) of Bulgari diamonds — was styled by Zendaya’s go-to stylist Law-Roach. And, like the vintage YSL set, previously owned by Ebony Fashion Fair founder Eunice Johnson, that Zendaya wore to the ESSENCE Black Women in Hollywood Awards last week, this one, too, was inspired by a look from the past. Who, you ask, was Sunday night’s inspiration? Why, it was Cher, of course.

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According to Law’s Instagram, the inspiration behind Zendaya’s Valentino gown was a cut-out dress worn by Cher on her eponymous variety television show, which aired from 1975 to 1976. Alongside a compilation of looks from the show’s first and only season, which was posted by @howtobeafuckinglady on Instagram, Law wrote “constant inspiration” on his stories. 

Designed by Bob Mackie, who was responsible for all of Cher’s over-the-top and glamorous ensembles from the show, the yellow dress featured a wrap-around design that left a diamond-shaped view of the singer’s midriff. It wrapped around further to reveal a neck-tie that served as a necklace. Cher’s signature long locks stretched behind her back. Sound familiar?

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Zendaya wasn’t the first red carpet regular to pay homage to the iconic performer this award season. Dua Lipa, in partnership with Donatella Versace and her stylist Lorenzo Posocco, also channeled the “Believe” singer at the 2021 Grammys red carpets. Dua Lipa’s gown was made entirely of Swarovski crystals — 55,000 of them, to be exact — and took 1,500 to make, according to Posocco. The front of the dress featured a butterfly motif, a Cher and Lipa go-to, which the latter also had embellished on her nails and on one of her teeth (dedication). 

Lipa’s look was directly inspired by Cher’s Grammys look from nearly 50 years earlier. For the 1974 award show, the singer wore a white bandeau top (another trend at the Oscars red carpet!) fixed with a large blue-and-pink butterfly pin, a matching maxi skirt, and a sheer white shawl. Her hair was adorned with an even large butterfly clip. As it was her first public appearance with then-boyfriend David Geffen, following her divorce from Sonny Bono, many presumed the butterflies were a symbol of her freedom. They hold a meaning for Lipa, too: “There was a lot of symbolism for me this year with butterflies and it’s also very symbolic for Versace and Donatella, too,” she told E! News on the red carpet. (Butterflies are also currently trending in fashion.)

Between Zendaya’s Valentino gown at the Oscars and Lipa’s Versace number at the Grammys, Cher’s influence was strong on the 2021 red carpet circuit. It’s too bad award season is over, because, with looks this good, we would have loved to see more A-listers taking cues from one of fashion’s most iconic dressers. 

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It has been more than a decade since we watched Parasite win big, a bearded Eminem perform "Lose Yourself," and Timothée Chalamet (in Prada) and Margot Robbie (in Chanel) be totally normal celebrities on a totally normal red carpet during the 2020 Oscars. (Yes, the past 12 months equals one whole decade — that’s how panny math works.) Last year’s award show was one of the last moments of normalcy before everything changed, and after a string of awkward and glitchy shows that took place via livestream, we’re back with the Academy for a slightly delayed 2021 Oscars live show.

On Sunday, 170 of Hollywood’s finest joined together at Los Angeles’ Union Station for a night of movies, physical company, and, of course, gowns — beautiful gowns. (No masks, though — at least not when guests are on-camera.) For the closing event of the 2021 award season, celebrities funneled a year’s worth of sartorial dreams into one big-time look. Andra Day, who’s nominated for Best Actress for her titular role in Billie Holiday v. The United States, arrived at the Oscars in a custom Vera Wang Haute look as glamorous as those featured in the ‘40s- and ‘50s-era film. Borat Subsequent Moviefilm's Maria Bakalova chose a custom Louis Vuitton gown covered in crystal beading, One Night In Miami director Regina King awed in another custom Louis Vuitton number with gemstone details, and Ma Rainey's Black Bottom lead Viola Davis chose a cut-out gown by Alexander McQueen. But wait, there’s more.

Click ahead for all of the best-dressed attendees on the 2021 Oscars red carpet.

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On Thursday night, ESSENCE held its 14th annual Black Women In Hollywood Awards. The theme of the 2021 awards show, “Mastering Our Stories,” highlighted the resilience of Black women in Hollywood. Honoree Zendaya, with the help of her longtime stylist Law Roach, wore a vintage Haute Couture look by Yves Saint Laurent previously owned by the late Eunice Johnson, the founder of Ebony Fashion Fair and Ebony Magazine.  

According to the stylist, the blue ensemble, which features power shoulders, a bow-embellished waist, and a black, slit-leg bottom half, was designed in 1982 and has lived in his personal archives, waiting for the perfect opportunity to be shown off. “We pay homage,” Roach wrote on his Instagram, showcasing photos of the Euphoria actress, as well as one of Johnson wearing the look on the cover of Ebony. 

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Johnson, who passed away in 2010, founded Ebony Magazine with her husband John H. Johnson in 1945. For more than 50 years, from 1958 to 2009, the accompanying Ebony Fashion Fair toured cities across the U.S., Canada, and the Caribbean, showcasing Haute Couture and ready-to-wear collections from designers like YSL, Christian Dior, and Valentino to primarily Black audiences. Black designers like Patrick Kelly and Willi Smith were also promoted at the annual shows and in Ebony Magazine. 

Zendaya looked every bit as elegant and poised as Johnson did wearing the ’80s-era ensemble. Like Johnson, Zendaya paired the two-piece set with diamond chandelier earrings and rings, though Johnson’s take also featured a statement necklace, while Zendaya’s neck was bare at Thursday night’s awards show. To complement the ensemble, the actress wore Roger Vivier black pumps and Bulgari jewelry. 

Zendaya wearing a look previously owned by Johnson at an event meant to honor the stories of Black women throughout history is a beautiful tribute. The fact that it was vintage and worn on Earth Day is just icing on the cake.

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When it comes to greenwashing, consumers are much savvier than they once were. Whereas even five years ago, brands could get away with doing the bare minimum in the sustainable fashion department, releasing a one-off “green collection” on Earth Day and garnering praise via sold Instagram ads, the bar is higher now. As the environmental crisis continues to worsen — according to NASA, 2020 was one of the warmest years on record — every fashion brand has had to confront their own dedication to sustainability and how far they have yet to go before claiming a victory. For brands who are seriously committed to eco-conscious practices, it’s a far more honest thing to claim that they are “not sustainable.”

In February 2018, Noah, a brand founded by Brendon Babenzien in 2015, published a blog post on its website with the headline, “We Are Not A Sustainable Company.” Printed in capital letters, the words were superimposed over a photo of a landfill blurred with a thick layer of smog. Below, the brand spotlighted some of its press mentions — describing Noah as using “the most sustainable practices” and “killing it” on the sustainable front. (The brand sells any damaged or incorrectly produced garments at a discounted price, rather than discarding them, and partners with ocean preservation organizations like Sea Shepherd, among other practices.) “Although we’re very flattered that the press and our supporters frequently compliment our engagement on environmental issues, the way we operate isn’t even close to sustainable. There’s really no such thing as a sustainable clothing company,” it read. 

The statement is not wrong: From the natural resources it takes to create fabrics to the toxic chemicals used during production and the carbon dioxide required to transport the final product, almost every step of fashion’s current production model negatively affects the environment. Noah’s post went on to say that it will now focus its efforts on transparency — “We are trying our best to be responsible — followed by a detailed list of the eco-conscious and ethical initiatives the brand employs. “To say we’re sustainable would be a lie,” the post concluded. “To say we’re doing a little more with each season would be the truth.”

Every happy customer comes at an environmental cost.”

Mark De Lange, Founder of Ace & Tate

Shortly after it was published, Mark de Lange, the founder of Dutch eyewear brand Ace & Tate, took to Medium to communicate a similar message. “The harsh reality finally hit me,” he wrote in the blog post. “For every pair of glasses we make, Ace & Tate does harm to the planet. Every frame we produce, every lens we cut, and every package we ship: everything is connected to natural resources. Every happy customer comes at an environmental cost.” Speaking with Refinery29, he said that sustainability is an ongoing process, one that could never be fully complete. Why try then? Well, just because something seems impossible, doesn’t mean you shouldn’t attempt it.

Céline Semaan, the founder of Slow Factory, an organization focused on climate and systemic change-based education, agrees with de Lange. “Sustainability is a spectrum,” she tells Refinery29. Nicolaj Reffstrup, the co-founder of Danish fashion brand Ganni, feels the same way. “There is no straight line to being sustainable in fashion,” he says. According to Reffstrup, despite its many sustainability initiatives, Ganni doesn’t identify as sustainable because it recognizes the “inherent contradiction between the current fashion industry that thrives off of newness and consumption, and the concept of sustainability.” 

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For Reffstrup, the point of bringing attention to the fact that Ganni is not sustainable is to have something to answer to. It puts pressure on the brand to be better and in turn, communicate wins and losses to their customers. (The brand now publishes the projects they haven’t yet figured out on the @GANNI.lab Instagram account, as well as in an annual responsibility report.) “It’s about holding ourselves accountable,” Reffstrup says. 

With Ace & Tate, de Lange wants to provide his customers with everything they need to make educated purchases. “I think the consumer is sick and tired of being marketed to and lied to,” he says. “And also for myself, I genuinely do not know how to turn Ace & Tate into a fully sustainable company. It’s probably not going to happen because it’s probably impossible. However, I’d like to share our thoughts on what our journey is.”

According to Daniel Silverstein, the founder of Brooklyn-based brand Zero Waste Daniel — which Silverstein describes as “zero-waste,” which means that all products included in production are reused and nothing is sent to a landfill — a 100% sustainable fashion brand is possible. The proof, he says, is in the past. “We made completely sustainable clothing for a really long time as a species,” Silverstein tells Refinery29. “Once we reconnect with and fall in love with the slow processes that our ancestors practiced for years, we can start making clothing with no electricity, with no chemicals that are harsh or synthetics,” he says. “It just comes down one question: When are we going to be ready to accept the way that changes our relationship with consumption?”

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For its latest star-studded campaign, Gucci gathered the likes of Diane Keaton, Dakota Johnson, Serena Williams, and, yes, frequent collaborator Harry Styles for a Guccified version of James Corden’s The Late Late Show. On this fictional television segment, though, the guests didn’t promote their latest films, athletic wins, or music accomplishments. Rather, the hot seat was occupied by Gucci’s most beloved handbag styles, from the Marmont to the Dionysus. Of course, Styles had our favorite one. 

For his appearance, the “Watermelon Sugar” singer wore a fluffy fur coat with an untied pussy-bow blouse, ‘70s-style wide-leg jeans, and an impressive lineup of cocktail rings. Strewn across his shoulder was his go-to black Jackie bag, a style that was first introduced by the brand in the ‘60s before being reissued by Gucci’s creative director Alessandro Michele in his fall ‘20 collection. The bag, named after First Lady Jackie Kennedy Onassis, has, of late, become a staple in Styles’ wardrobe. 

Styles first took a liking to the Jackie bag in February 2020, when he was spotted outside of BBC Studios in London with one worn over his shoulder. With it, he wore a teal, embroidered jacket from Bode, black Vans, chestnut-colored corduroy pants, and his signature pearls. Later that year, in October, he was spotted in Los Angeles in that same jacket again, but this time, he took the look a step further, pairing the lightweight outerwear with a matching teal Jackie bag. 

This latest look only proves what we already knew: Styles is a bag man. It’s too bad that the Jackie bag is already named after a style icon, or, like his Éliou necklace, we’d be calling it the Harry bag in no time.

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As if you needed another reminder that summer is, in fact, coming, Target just released its annual swimsuit drop — and this could be the company’s best lineup yet. Right now, Target.com is drowning in stylish bikinis, one-pieces, and tankinis for you to choose from for the upcoming pool season. Think: cut-out silhouettes, jewel tones, ruched fabrics, and extra skimpy string styles. Hell, they even have a faux leather swimsuit; if that doesn’t prove that your choices are limitless, we don’t know what does. 

In total, Target’s pre-summer swimsuit bill spans 986 styles, many of which are available in sizes up to 26W (according to Target’s size chart, that’s the equivalent of 3X), and all of which cost less than $100. The one downside? Finding the suit that’s right for you means scrolling through 42 pages of styles, which, naturally, is time-consuming. To ensure your swimsuit season starts off on the right foot, we scoured all 42 pages for you, picking out the very best from Target’s massive collection and something for everyone.

Ahead, shop our favorite bikinis, one-pieces, and more from Target’s swimsuit collection.

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On Tuesday, Nicola Coughlan, aka Bridgerton’s Penelope Featherington, took to Twitter to let one of the show’s self-proclaimed fans in on a secret: “As the world’s number one Bridgerton stan, does Kim Kardashian know that the Kardashians were a massive inspiration for the Featheringtons and we talked about them all the time during our fittings?” Turns out, she didn’t.

Shortly after Coughlan’s tweet, the SKIMS founder — who recently revealed on Instagram that she was watching Netflix’s steamy Regency-era drama — responded to Coughlan. “WHAT?!?! I am freaking out!!!!!! This tweet was sent to me on my Bridgerton group chat,” she tweeted. “Can I please come to a fitting?!?! It would make my whole life!!!!!! I love you Lady W!!!” 

WHAT?!?! I am freaking out!!!!!! This tweet was sent to me on my @bridgerton group chat! Can I please come to a fitting?!?! It would make my whole life!!!!!! I love you Lady W!!! https://t.co/KVnCi6UZRT

— Kim Kardashian West (@KimKardashian) April 20, 2021

After sharing her excitement over having Kardashian join the Bridgerton crew, Coughlan shared another behind-the-scenes fact: The corsets that were worn by the show’s cast members on-screen were crafted by renowned corset designer Mr. Pearl who was also behind Kardashian’s Mugler look from the 2019 Met Gala. “Did you know that Mr. Pearl made your corset for the Met Gala and the very next one he made was mine for Bridgerton? You’ve been part of the Bridgerton world for longer than you know!” Coughlan wrote.

Omg yesss of course we would love to have you! Also did you know that Mr Pearl made your corset for the Met Gala and the very next one he made was mine for Bridgerton? You’ve been part of the Bridgerton world for longer than you know!❤️❤️❤️

— Nicola Coughlan (@nicolacoughlan) April 20, 2021

When Bridgerton costume designer Ellen Mirojnick spoke to Refinery29 in December, she confirmed this, adding that Mr. Pearl “is magnificent.” For the series, Mr. Pearl designed half-corsets, which were meant only to “mount the bust,” and full full-length pieces. And while both looked stunning, according to Mirojnick, they were not comfortable: “Even with the genius of Mr. Pearl, who, if there was any trace of comfort in a corset, would find it, corsets will never be comfortable.”

Though Kardashian didn’t respond to Coughlan’s last tweet, we’d like to think that the two took their conversation offline, where they continued to bond over their mutual experiences with the torture devices that are corsets. During a Refinery29 interview with Coughlan in December, the actress shared her honest opinion on the restrictive undergarment: “Taking off a corset at the end of the day just feels incredible. It’s a bra times 10,000. Your ribs are just like, Ah.” Similarly, Kardashian told WSJ Magazine following the Met Gala that she had “never felt pain like that in [her] life.” And if shared fashion-induced pain isn’t enough to spark a friendship, we don’t know what is. Yours Truly, Lady Whistledown.

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If you have missed Broadway, you’re not alone. On Tuesday, New York fashion mainstay Michael Kors celebrated his namesake brand’s 40th anniversary with an ode-to-Broadway runway show that took place — albeit last week as the show was pre-recorded — in the heart of New York’s theatre district. For the occasion, Kors tapped Broadway’s finest including Billy Porter, Alan Cumming, Bette Midler, Jane Krakowski, Judith Light, and more stage legends for a short film that preluded the show, and supermodels Naomi Campbell, Ashley Graham, Helena Christensen, Bella Hadid, Alek Wek, and more runway icons for the main event. (NBD.)

To the sound of Rufus Wainwright’s rendition of “New York State of Mind” and “There’s No Business Like Show Business,” the models crossed 45th Street, passing by Broadway staples like Sardi’s Restaurant and the Shubert Theatre while modeling Kors’ fall ‘21 collection. According to the press release, the 63-piece collection was inspired by the re-opening of the world: “I was really thinking about the joy in getting dressed up and stepping out for a night on the town,” Kors said. “This collection is all about making every moment a special occasion and feeling confident, glamorous, and upbeat.”

Standouts include reissued looks from collections past, including a monochrome red look (worn by Hadid) from Kors’ fall ‘91 show and a white, belted dress (modeled by Wek) first spotted on Cindy Crawford on the fall ‘92 runway. The 16 reissued looks were even fitted with a QR code that unlocks runway clips from their heydays and other stories about the pieces. Graham and Paloma Elsesser both wore cutout, sequin dresses, while Christensen came out of retirement to model a silver gown made from tiny mirrors. The kicker? Campbell in a black, floor-length, sequin gown, topped with a wool coat strewn over her shoulders. Suffice to say, after 40 years, Kors has learned what it takes to make a show that deserves a standing ovation. 

Until Broadway is back up and running — according to NPR, it’s expected to return by September 2021 — bask in Kors’ ode to it, below.

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As if to calm our Monday blues, Rihanna stepped out for dinner at Wally’s in Beverly Hills on Monday night wearing yet another top-tier ‘fit, this time, designed by her own hand. For the occasion, she crafted a look using an item from Savage x Fenty, the fashion and beauty mogul’s line of size-inclusive lingerie, pairing a see-through, mesh-and-lace camisole with a vintage, silk robe by Hermès and matching track pants by Celine (casual). To brighten up the all-black look, she added a pair of varsity purple-colored Nike Dunk Highs and slime green sunglasses from Gucci (even more casual). Essentially, she wore pajamas — albeit the fanciest pajamas we’ve ever seen! — out to dinner, and in doing so, made us want to do the same. 

This is hardly the first time Rihanna’s worn her finest bedtime duds outside of the bedroom. In 2015, she wore a lace bra with a robe, pajama pants, and Cher Horowitz-esque feathered heels while out in New York City. Two years later, for the Met Gala after-party, she ditched her floral Comme des Garçons gown for a feather-trimmed pajama shirt-turned-dress by Prada, which she paired with (again) Gucci sunglasses and (again) feathered heels. From slips and kimonos to bodysuits, she’s since worn every item typically found in our lingerie drawers to go out, on red carpets, and at Fenty launch events, alike. But, aside from an occasional ad campaign for the brand, we rarely get to see Rihanna wearing Savage x Fenty on the streets. When we do, we take notice. 

Of course, we’ve been taking notice of the singer-designer a lot lately. Over the last month, she’s broken out her Sunday best on multiple occasions, be it a leather-mesh combo for her mother’s birthday party in New York or heeled flip-flops with a tracksuit and trucker hat in Los Angeles. But Fenty in Fenty, well, that takes the cake. 

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